SCHULE@Im_flieger – INTENSIVE LAB // Luigi Guerrieri (IT/AT), Anita Kaya (AT), Laura Vilar (ES/AT), Josefina Zuain (AR)

Fri–Sun 12.–14.6.2026

Photo: Triny Reinoso, edited by Jean Mazel

Fri–Sun 12.–14.6.2026 // Fri 10.00–16.00, Sat & Sun 10.30–16.30

Lab/Workshop
Fri 12.6. at Im_flieger STUDIO (Bräuhausgasse 40, 1050 Vienna), Sat 13.6. & Sun 14.6. at Reallabor Fassfabrik (Lastenstraße 19, 1230 Vienna)
In English language // Fee: at your own discretion between 70 € and 150 € // max. 5 open spots // Attendance on all 3 days is preferred // Registration via imflieger@gmail.com

SCHULE@Im_flieger 2026 – Artistic Research Through Movement(s) & Writing is realized in cooperation with Reallabor Fassfabrik.

As part of SCHULE@Im_flieger 2026 – Artistic Research Through Movement(s) & Writing a 3-day laboratory will take place, open to five additional participants. This year’s SCHULE mentor Laura Vilar and guest artists Luigi Guerrieri, Anita Kaya and Josefina Zuain will present their specific approaches and practices in workshops: from body- and movement-based to writing and ecosomatic perception practices.
The group will work between Im_flieger STUDIO (1050 Vienna) and Reallabor Fassfabrik (1230 Vienna), transferring the respective artistic research into different contexts and ecosystems. How does the research process transform when we vary the network of relationships and the environment that supports it? What other bodily experiences emerge in different surroundings? How do our modes of attention shift and overlap? What new ecologies of materials appear? How can we trace these processes through movement and writing?

Anita Kaya (AT) born 1961, is a freelance choreographer, performer and curator living in Vienna. Under the label OYA-Produktion (1988-2005) she created dance productions, site-specific performances, performative installations and dance videos that were presented internationally. In 2000, she initiated the artists for artists initiative Im_flieger – research laboratory for dance, performance and transmedia art (Concept funding from the City of Vienna 2022-25). In artistic direction and in collaboration with numerous artists and theoreticians, she develops new concepts and structures of artistic cooperation and mentoring programmes: e. g. the European residency programme for young choreographers TERRAINS FERTILES 05 (Innovation Prize 2005 of IG-Kultur Vienna). She is engaged with the body as a reservoir of individual and collective memory, and its potential for communication with the environment, the human and more than human: e. g. Translocations / One-to-One Performance located at the intersection of history/trauma, archiving, installation and performance. 2023 she cooperates with Theatercombinat/ Claudia Bosse as performer/ choreographer in the production Bones & Stones. In 2019/20 she completed the university course “Curating in the Scenic Arts” at the University of Salzburg and Munich. She is co-editor and author of the publication VISCERAL FICTION – Im_flieger schreibt Geschichte/s – 20 Jahre Künstler:innen für Künstler:innen. 2021, monocrom. www.imflieger.net, www.stffwchsl.net

Josefina Zuain (AR) is a dancer, writer, and art historian. She has studied modern techniques (Humphrey Technique), composition, and improvisation through somatic techniques (Feldenkrais, Eutony), stretching, and ballet for biomechanics (Gurquel Technique), among others. She has trained in Twerk and Sexy Style, Bounce, and Heels techniques in Madrid, Salamanca, Rome, and other cities. She coordinates writing workshops for artists and works as a consultant on projects related to art and related fields. She holds a Bachelor of Arts degree from the University of Buenos Aires and in 2019 successfully completed her master’s degree in advanced studies in Art History at the University of Salamanca. She is currently developing her doctoral research at the University of Salamanca, examining historical dance documents from the medieval era alongside moral judgments and discourses that criticize Twerk. Her research explores the arguments used to justify the persecution of certain ways of dancing. She is the editorial director and creator of 2da En Papel Editora, a publishing house specializing in the dissemination, creation and distribution of content related to dance. In 2009, she created cuadernosdedanza.com.ar ISSN 22508708, a virtual platform that stores 14 years of writing about, on and from dance in archive format. @segundaenpapel, @josefina.zuain

Laura Vilar (ES/AT) is a dancer, choreographer, teacher, and researcher, based in Vienna and Barcelona. She has a PhD degree from the Philosophy department at Universitat Autònoma de Barcelona with an artistic research trough dance(s). She is Co-directing nunArt – artistic research center in Barcelona. She is teacher at the dance pedagogic department at the Institut del Teatre of Barcelona. She has been director of the Professional Training at Area Barcelona dance school from 2017 to 2021. She has taught nationally and internationally at several art centers such as: Bad Lemond’s profi training Münich, CODARTS Rotterdam, Saineb dance co Istanbul, Linz Anton Bruckner University, in Spain: Cobosmika seeds, nunArt Barcelona, Area, Varium, La Caldera; Back Pulver feedback training Vienna, Im_flieger Vienna, among others. She has danced in several companies as: Compagnie Taffanel based in Montpellier (2003-2010), Cobosmika company / Russell Maliphant (2006-2013) toured internationally, Hermanas de Castro, Trànsit (2000-2001), La Inconnexa 2002-2003, Lanònima Imperial (2004), Comediants, Salvatge cor (2006-2008) or Dance Theatre of Ireland (2010), a. o. Her latest works as a choreographer: Tentativas de (des)aparición (2022), #quéhayenelmundo (2021), Voyager (2019-2020), Sanjiao (2017). www.lauravilarblog.wordpress.com www.nunartbcn.com

Luigi Guerrieri (IT/AT) is a performance artist with a background in anthropology based in Vienna. His work focuses on the meeting point between movement, improvisation, and storytelling, combining academic, artistic and physical research. Luigi often questions strong enfleshed cultural concepts such as hegemonic masculinity or the dictatorship of well-being in FLOWERS. He loves to obsessively repeat common sayings like “son of a bitch” in DEINE MUTTER and to literally apply daily expressions like “to jump for joy” in BOUNCING JUMPING. Guerrieri’s ‘autoethnographic’ monologue POOR GUY humorously and light-heartedly performs the double-edged nature of self-discovery and self-promotion – ‘a narcissistic project that beats a narcissistic world at its own game.’ His works have been presented in venues as WUK Performing Arts, Theater am Werk or Schauspielhaus Wien/Impulstanz. Luigi takes care of his kids, sometimes writes a Blog, from time to time publishes short video-performances on Instagram and TikTok and occasionally works as a cook. www.luigiguerrieri.com