SCHULE@Im_flieger 2025 – Zine Release Celebration & Performative Practices with the Schulerinas!

Fri 5.12.2025, 19.30 // Sat 6.12.2025, 14.00–17.00

Photo: Sabine Maier 

Fri 5.12.2025, 19.30 // Zine Release Celebration
Sat 6.12.2025, 14.00–17.00 // An Afternoon of Performative Practices

Bräuhausgasse 40, 1050 Vienna // free entry

SCHULE@Im_flieger 2025
Artistic direction/mentoring: Elizabeth Ward
Participating artists: Bita Bell, Flóra Boros, Kenneth Constance Loe, Luiza Furtado, Paula Hernandez Mollison, Valentino Skarwan

Zine SCHULE@Im_flieger 2025
Publisher: Im_flieger Künstler:innen_Initiative
Editors & authors: Bita Bell, Flóra Boros, Kenneth Constance Loe, Luiza Furtado, Paula Hernandez Mollison, Anita Kaya, Valentino Skarwan, Elizabeth Ward
Graphic design: Peter Oroszlány

You are cordially invited to a zine release celebration on the evening of December 5 and an afternoon of performative practices on December 6 as the closing events of this year’s SCHULE@Im_flieger program – Artistic Research through Slippery Time(s) – hosted by the participating artists aka the Schulerinas: Bita Bell, Flóra Boros, Kenneth Constance Loe, Luiza Furtado, Paula Hernandez Mollison and Valentino Skarwan together with mentor Elizabeth Ward.

The Friday evening zine release celebration will be collectively hosted by the Schulerinas and accompanied by artistic interventions by Bita Bell and Luiza Furtado. The star of the evening is the SCHULE@Im_flieger 2025 zine publication made in collaboration with graphic designer Peter Oroszlány. We invite you to celebrate with us as we share our journey and close an intensive year of collective and individual research – there will be party games, soup, and dancing!

On Saturday afternoon, Flóra Boros, Kenneth Constance Loe, and Valentino Skarwan invite you to an open house where they share durational environments and a performative workshop in an afternoon of performative practices. Please feel welcome to drop in at any time and stay for as long as you wish – coffee and cake will be served!

The program is part of the hybrid format SCHULE@Im_flieger, which combines transgenerational knowledge transfer, artistic research, production and discourse.

Detailed program: 

Fri, 5.12.2025, 19.30 // Zine Release Celebration
With Bita Bell, Flóra Boros, Kenneth Constance Loe, Luiza Furtado, Paula Hernandez Mollison, Valentino Skarwan and Elizabeth Ward. Artistic interventions by Bita Bell and Luiza Furtado.

Noturna // Luiza Furtado (BR/AT)
Artistic intervention
Sticky Fiction, Pleasure, Temporal Frictions
“The movement research developed during my residency at SCHULE@Im_flieger took shape as a temporal glue, a fictional substance, which forms as the past sticks onto present. My research focus was the topic of desire, sewing a connective tissue between the commercial musculature built around fertility, and its respective imprints on materiality. In Portuguese the word Noturna describes something that blooms in darkness. I am interested in this word as my project aims to make the foggy associations between soft discipline of gendered desires, material binarity and the industrial sector visible.”

Dialectics of Isolation // Bita Bell (IR/US/AT)
Artistic intervention Bita Bell will share a glimpse of her ongoing movement research from her project Dialectics of Isolation, drawing from a globally shared language of indigenous circle dances. Bell and her collaborators create a dance manifesto through their own circle dance steps to assert their presence as a way of coming together communally while keeping their unique individualities and their solidarities as part of a connected chain.

Afterwards: food & drinks

Sat 6.12.2025, 14.00–17.00 // An Afternoon of Performative Practices 

soft launch // Flóra Boros (HU/AT) with guest dancer Alina Bertha
Performative installation, 60 min
soft launch explores soothing techniques not as passive or indulgent, but as quiet acts of resistance. Through shared and individual memories and sensations, it traces how simple, everyday practices can foster connection – and how they shift when embodied. Instead of seeking clarity, it embraces messiness, effort, and small gestures as ways of holding on.

Papa, Romeo, Oscar, November, Echo // Kenneth Constance Loe (SG/AT)
Performative workshop, 40 min
Papa, Romeo, Oscar, November, Echo proposes an exploration of tactical language and movement and its interface with the quotidian in an attempt to destabilize meaning and redeploy its potency to the realm of poetics. In the NATO/ICAO phonetic alphabet – widely used in military, aviation, and maritime contexts – Papa, Romeo, Oscar, November, Echo spells out „prone”, a position which in the military involves lying flat on the stomach to offer a stable and accurate shooting position for both supported and unsupported firing, and minimizing the shooter’s silhouette. As an adjective in everyday usage, it means “likely or liable to suffer from, do, or experience something unpleasant or regrettable”. You will be guided through a series of physical positions and writing prompts as the artist traverses landscapes and body memory through camouflaged maneuvers.

Clingers // Valentino Skarwan (AT/GT)
A practice of gathering what would otherwise fade
The afterlives of works
What lingers, what clings

With coffee & cake

Fotos: Felix Kaya/Im_flieger

Bita Bell (IR/US/AT) is a dance artist and composer with a BA in music composition and an MFA in dance. Born in Iran, she studied in Hong Kong, lived in the U.S. from 2012, and is currently based in Vienna. She recently completed an Artistic Research Fellowship at THIRD DAS Graduate School in Amsterdam, where she self-published a zine titled “containing multitudes, at times fragmented”. Bell is a recipient of the 2023 Startstipendium for Music and Performing Arts from the Austrian Federal Ministry for Arts and Culture and the 2024 danceWEB scholarship at ImPulsTanz – Vienna International Dance Festival.

Elizabeth Ward (US/AT) is a dancer, choreographer and occasional Outside Eye. She is interested in how individual and collective dance histories are shaped by geography and the movements of people and ideas. Her earliest performing experiences were dancing children’s roles with the Atlanta Ballet. Later she studied Post-Modern Dance in Vermont which eventually led her to New York City where she danced for downtown choreographers such as Cathy Weis, Yvonne Meier, DD Dorvillier, Rebecca Brooks, Miguel Gutierrez, Biba Bell, and Heather Kravas. In NYC, her work was shown at Danspace, Movement Research at Judson Church, AUNTS, the Chocolate Factory, and the Kitchen. Since moving to Vienna she has danced for Anne Juren, Philipp Gehmacher, Veza Fernández, and Samuel Feldhandler. Her work has been shown in Austria through brut, WUK, TQW, Wiener Festwochen, ImPulsTanz, and steirischer herbst.

Flóra Boros (HU/AT) is an independent performing artist and choreographer based in Vienna and Budapest. Her works have been presented at venues such as Kaaitheater, WUK, Muffathalle, Theater Akzent and Schwere Reiter as well as various festivals. With her first solo performance CINDY, she received the START scholarship from the Austrian Ministry of Culture in 2022, as well as the ATLAS scholarship at ImPulsTanz festival. She completed her studies at the Music and Arts University of Vienna in 2021, with her thesis winning a scholarship from the City of Vienna, serving as theoretical research for CINDY. Her current artistic practice explores intimacy, liberation from a queer perspective, and the directing of the gaze to question how the body conveys embodied narratives beyond normative structures.

Kenneth Constance Loe (SG/AT) is an artist, writer, performer, and proofreader from Singapore, currently based in Vienna, Austria. They are a collaborator of holiday poets society, a Vienna-based poetry collective, together with Ari Ban and Claire Lefèvre. His practice revolves around material and sensorial fetishes of desire, poetics of hospitality, body memory, queer ecologies, and other tangential thoughts through a performative collocation of sculpture, video, movement, text, and olfactory objects. Their poetry manuscript “sun-dried air” was a finalist of the 2022 Gaudy Boy Poetry Book Prize. Their poetry has recently been published in “rivulet 10: sound barrier“ and the anthology “New Singapore Poetries” (Gaudy Boy, 2022). www.kennethloe.com

Luiza Furtado (BR/AT) was born in Florianopolis, Brazil in 1999. She lived in Rio de Janeiro where she received her Industrial Design BA from PUC in 2021. Furtado moved to Austria for her studies at the Academy of Fine Arts Vienna. Her research on dance weaves painting, sculpture and audiovisual media together to address entanglements of fictional speculation and hybridism to reflect on possible ecological alternatives for contemporaneity.

Paula Hernandez Mollison (EC/AT) (*1997, Guayaquil, Ecuador) lives and works between Austria, the Netherlands and Ecuador. She moved to Vienna to pursue a Diploma in Site Specific Art at the Angewandte, holds a Bachelor of Fine Arts from The Royal Academy of Arts in The Hague and a Foundation degree in Arts and Design from Central Saint Martins. Her attention lies in situations, actions or objects that embed social, personal and political contexts linked to displacement of people, goods and emotions. Influenced by Fluxus and the Situationists her practice is fed by everyday experiences, turning to mundane situations whilst mappings out her environment. She considers her work as a search for seeping into possible paths, rather from the ones we are accommodated to use our body, stemming from automatic ways of moving and relating.

Valentino Skarwan (AT/GT) is an artist and performer/choreographer. Living and working between Vienna and Guatemala City, their practice unfolds through an interdisciplinary approach, moving fluidly across performance, sculpture, and installation. They are drawn to forms that remain open and porous, preferring flexible formats that resist rigid definitions and invite viewers to actively engage. Valentino Skarwan’s work seeks to break traditional modes of spectatorship, transforming passive observation into embodied participation. For them, intimacy operates as an ecological concept – a way to understand our interdependence with both human and non-human entities. They have worked as a performer and dancer for different artists/choreographers.