Thu 7.12.2023 // 11.00–17.00
Photo: Johanna Nielson/Laura Vilar
Thu 7.12.2023 // 11.00–17.00
Bräuhausgasse 40, 1050 Vienna // open lab // sharing practice // pay as you wish/can
Please register via imflieger@gmail.com, but don’t hesitate to pass by spontaneously.
LANDEN-Cluster: Anita Kaya, Johanna Nielson, Kilian Jörg, Laura Vilar, Sabrina Rosina
Within Im_flieger’s artistic research project LANDEN, five artists from different fields are researching multifarious ways of (dis)orientation in relation to ecological politics and applications to the troubles of finding habitable futures. The artistic research process revolves around questions highlighted by the philosopher Bruno Latour in his 2017 book Où atterrir (Where to land?). Landing – tracing, walking, embodying, dancing and losing oneself in the problems and possibilities of exploring this complex concept of landing, a challenge and potential in equal measure.
The artists invite you to a LANDEN Open Lab to share, practice and reflect on their practical and theoretical exploration with the guests, to continue their research in the collective space.
“You want me to land on Earth? Why? – Because you’re hanging in midair, headed for a crash. – How is it down there? – Pretty tense. – A war zone? – Close: A Critical Zone, a few kilometers thick, where everything happens. – Is it habitable? – Depends on your chosen science. – Will I survive down there? – Depends on your politics.”
From “Critical Zones: The Science and Politics of Landing on Earth” edited by Bruno Latour and Peter Weibl
We cordially invite you to join us at Im_flieger on Thursday, 7 December between 11:00 and 17:00. Please register via imflieger@gmail.com, but don’t hesitate to pass by spontaneously.
Anita Kaya (AT) born 1961, is a freelance choreographer, performer and curator living in Vienna. Under the label OYA-Produktion (1988-2005) she created dance productions, site-specific performances, performative installations and dance videos that were presented internationally. In 2000, she initiated the artists for artists initiative Im_flieger – research laboratory for dance, performance and transmedia art (Concept funding from the City of Vienna 2022-25). In artistic direction and in collaboration with numerous artists and theoreticians, she develops new concepts and structures of artistic cooperation and mentoring programmes: e. g. the European residency programme for young choreographers TERRAINS FERTILES 05 (Innovation Prize 2005 of IG-Kultur Vienna). She is engaged with the body as a reservoir of individual and collective memory, and its potential for communication with the environment, the human and more than human: e. g. Translocations / One-to-One Performance located at the intersection of history/trauma, archiving, installation and performance. 2023 she cooperates with Theatercombinat/ Claudia Bosse as performer/ choreographer in the production Bones & Stones. In 2019/20 she completed the university course “Curating in the Scenic Arts” at the University of Salzburg and Munich. She is co-editor and author of the publication VISCERAL FICTION – Im_flieger schreibt Geschichte/s – 20 Jahre Künstler:innen für Künstler:innen. 2021, monocrom. www.imflieger.net, www.stffwchsl.net
Johanna Nielson (AT) is (also) a dance and performance artist, who lives and works in Vienna. Her artistic practice involves dance, voice and improvisation with a focus on phenomena of the sensual and sense-able. In collaboration with Agnes Schneidewind she made a series of performative experiments (AH I SEE) dealing with mechanisms of translation and perception. Johanna explores the interplay of (experimental) music and dance with such artists as Tobias Leibetseder, Marina Poleukhina and Stefan Voglsinger. She performed with luxflux, Arne Mannott, Alexander Chernishkov/Error Theater, Evandro Pedroni, Oleg Soulimenko, and many more. www.johannanielson.com
Kilian Jörg (AT) works both artistically and philosophically on the topic of ecological catastrophe and how its transformative forces can best be imagined and deployed. Previous publications have been on club culture, the political backlash from an ecological perspective, cultivating distance in catastrophic times and a speculative religion of waste. His current research topics are the car as a metaphor for our toxic entanglements with modern lifestyles (released in book form as “Das Auto und die ökologische Katastrophe” in September 2024), the socio-psychological effects of living with ecocide and radical activist strategies of reclaiming land like the ZAD in France. He is working with the Futurama.Lab at the Academy of Fine Arts Vienna and is affiliated to the SFB Affective Societies at the FU Berlin. www.kilianj.org – kilianjoerg.blogspot.com
Laura Vilar (ES/AT) is a dancer, choreographer, teacher, and researcher, based in Vienna and Barcelona. She has a PhD degree from the Philosophy department at Universitat Autònoma de Barcelona with an artistic research trough dance(s). She is Co-directing nunArt – artistic research center in Barcelona. She is teacher at the dance pedagogic department at the Institut del Teatre of Barcelona. She has been director of the Professional Training at Area Barcelona dance school from 2017 to 2021. She has taught nationally and internationally at several art centers such as: Bad Lemond’s profi training Münich, CODARTS Rotterdam, Saineb dance co Istanbul, Linz Anton Bruckner University, in Spain: Cobosmika seeds, nunArt Barcelona, Area, Varium, La Caldera; Back Pulver feedback training Vienna, Im_flieger Vienna, among others. She has danced in several companies as: Compagnie Taffanel based in Montpellier (2003-2010), Cobosmika company / Russell Maliphant (2006-2013) toured internationally, Hermanas de Castro, Trànsit (2000-2001), La Inconnexa 2002-2003, Lanònima Imperial (2004), Comediants, Salvatge cor (2006-2008) or Dance Theatre of Ireland (2010), a. o. Her latest works as a choreographer: Tentativas de (des)aparición (2022), #quéhayenelmundo (2021), Voyager (2019-2020), Sanjiao (2017). www.lauravilarblog.wordpress.com, www.guinardo.nunartbcn.com/en
Sabrina Rosina Bühn (DE/AT) graduated from BOKU (university of natural resources and life sciences, Vienna) with a BSc in Landscape Planning and Landscape Architecture. Over the course of several projects in many nature-conservation and -preservation parks and programs in Europe she specialized in vegetation ecology. Her work colleagues are often invasive species, which she befriended over the years and from whom she is able to draw inspiration on matters of surviving and the counter-case. Thus, her artistic as well as scientific work deals often with New Ecology, wastelands and post-anthropocene speculation, expressed through performance, data studies and visualizations. www.sabrinarosina.com